(…) It’s my fault, Jim, home so much, limping around, ruined knees, overweight, under the Influence, burping, nonslim, sweat-soaked in that broiler of a trailer, burping, farting, frustrated, miserable, knocking lamps over, overshooting my reach. Afraid to give my last talent the one shot it demanded. Talent is its own expectation, Jim: you either live up to it or it waves a hankie, receding forever. Use it or lose it, he’d say over the newspaper. I’m . . . I’m just afraid of having a tombstone that says HERE LIES A PROMISING OLD MAN. It’s . . . potential may be worse than none, Jim. Than no talent to fritter in the first place, lying around guzzling because I haven’t the balls to . . . God I’m I’m so sorry. Jim. You don’t deserve to see me like this. I’m so scared, Jim. I’m so scared of dying without ever being really seen. Can you understand? Are you enough of a big thin prematurely stooped young bespectacled man, even with your whole life still ahead of you, to understand? Can you see I was giving it all I had? That I was in there, out there in the heat, listening, webbed with nerves? A self that touches all edges, I remember she said. I felt it in a way I fear you and your generation never could, son. It was less like falling than being shot out of something, is the way I recall it. It did not did not happen in slow motion. One minute I was at a dead and beautiful forward run for the ball, and the next minute there were hands at my back and nothing underfoot like a push down a stairway. A rude whip-lashing shove square in the back and my promising body with all its webs of nerves pulsing and firing was in full airborne flight and came down on my knees this flask is empty right down on my knees with all my weight and inertia on that scabrous hot sandpaper surface forced into what was an exact parody of an imitation of contemplative prayer, sliding forward. The flesh and then tissue and bone left twin tracks of brown red grey white like tire tracks of bodily gore extending from the service line to the net. I slid on my flaming knees, rushed past the dribbling ball and toward the net that ended my slide. Our slide. My racquet had gone pinwheeling off Jim and my racquetless arms out before me sliding Jim in the attitude of a mortified monk in total prayer. It was given me to hear my father pronounce my bodily existence as not even potentially great at the moment I ruined my knees forever, Jim, so that even years later at USC I never got to wave my hankie at anything beyond the near- and almost-great and would-have-been-great-if, and later could never even hope to audition for those swim-trunk and Brylcreem beach movies that snake Avalon is making his mint on.
Economy of Motion
A taste of David Foster Wallace


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