(…) The wind blew cruddy pus from the webbed fronds onto the court, maybe, up near the net. Either way. Something poisonous or infected, at any rate, unexpected and slick. All it takes is a second, you’re thinking, Jim: the body betrays you and down you go, on your knees, sliding on sandpaper court. Not so, son. I used to have another flask like this, smaller, a rather more cunning silver flask, in the glove compartment of my Montclair. Your devoted mother did something to it. The subject has never been mentioned between us. Not so. It was a foreign body, or a substance, not my body, and if anybody did any betraying that day I’m telling you sonny kid boy it was something I did, Jimmer, I may well have betrayed that fine young lithe tan unslumped body, I may very well have gotten rigid, overconscious, careless of it, listening for what my father, who I respected, I respected that man, Jim, is what’s sick, I knew he was there, I was conscious of his flat face and filter’s long shadow, I knew him, Jim. Things were different when I was growing up, Jim. I hate . . . Jesus I hate saying something like this, this things-were-different-when-I-was-a-lad-type cliché shit, the sort of cliché fathers back then spouted, assuming he said anything at all. But it was. Different. Our kids, my generation’s kids, they . . . now you, this post-Brando crowd, you new kids can’t like us or dislike us or respect us or not as human beings, Jim. Your parents. No, wait, you don’t have to pretend you disagree, don’t, you don’t have to say it, Jim. Because I know it. I could have predicted it, watching Brando and Dean and the rest, and I know it, so don’t sputter. I blame no one your age, boyo. You see parents as kind or unkind or happy or miserable or drunk or sober or great or near-great or failed the way you see a table square or a Montclair lip-red. Kids today . . . you kids today somehow don’t know how to feel, much less love, to say nothing of respect. We’re just bodies to you. We’re just bodies and shoulders and scarred knees and big bellies and empty wallets and flasks to you. I’m not saying something cliché like you take us for granted so much as I’m saying you cannot . . . imagine our absence. We’re so present it’s ceased to mean. We’re environmental. Furniture of the world. Jim, I could imagine that man’s absence. Jim, I’m telling you you cannot imagine my absence.
Economy of Motion
A taste of David Foster Wallace


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