(…) The client didn’t know enough to keep quiet. He thought he was at a ball game or something. The client’s voice carried. Our first court was right near the tree they sat under. The client’s legs were out in front of them and protruded from the sharp star of frond-shade. His slacks were lattice-shadowed from the pattern of the fence his son and I played just behind. He was drinking the lemonade my mother had brought for me. She made it fresh. He said I was good. My father’s client did. In that emphasized way that made his voice carry. You know, son? Good godfrey Incandenza old trout but that lad of yours is good. Unquote. I heard him say it as I ran and whacked and frolicked. And I heard the tall son of a bitch’s reply, after a long pause during which the world’s whole air hung there as if lifted and left to swing. Standing at the baseline, or walking back to the baseline, to either serve or receive, one of the two, I heard the client. His voice carried. And then later I heard my father’s reply, may he rot in a green and empty hell. I heard what . . . what he said in reply, sonbo. But not until after I’d fallen. I insist on this point, Jim. Not until after I’d started to fall. Jim, I’d been in the middle of trying to run down a ball way out of mortal reach, a rare blind lucky dribbler of a drop-shot from the over-groomed lox across the net. A point I could have more than afforded to concede. But that’s not the way I . . . that’s not the way a real player plays. With respect and due effort and care for every point. You want to be great, near-great, you give every ball everything. And then some. You concede nothing. Even against loxes. You play right up to your limit and then pass your limit and look pack at your former limit and wave a hankie at it, embarking. You enter a trance. You feel the seams and edges of everything. The court becomes a . . . an extremely unique place to be. It will do everything for you. It will let nothing escape your body. Objects move as they’re made to, at the lightest easiest touch. You slip into the clear current of back and forth, making delicate X’s and L’s across the harsh rough bright green asphalt surface, your sweat the same temperature as your skin, playing with such ease and total mindless effortless effort and and and entranced concentration you don’t even stop to consider whether to run down every ball. You’re barely aware you’re doing it.
Economy of Motion
A taste of David Foster Wallace


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